I’ve been chipping away at a rewrite of a piece I performed at DiverseWorks back in September. “When It Will Bloom.” I am wrapping it up now, so yesterday I decided to give the original a listen to remind myself how I ended the thing.

What I found interesting was that the “problems” with that version of the piece still seem to be there: just a couple of ideas that never get fully developed. Last time I listened to it, I did so with a highly critical ear and the whole thing made my skin crawl. “This thing just meanders along without going anywhere!”

But yesterday I realized that it still had something that the new version doesn’t. It moved me. Granted, the new version exists only in Finale so far and what I hear is the computer’s only slightly expressive playing of the piece, but yesterday I started to wonder if, in my eagerness to make something happen in the piece I took it to the other extreme and it’s all thought and no emotion.

I have a new computer on the way and this really excites me. My going-on-six-year-old MacBook Pro was really struggling with the recording for the yoga project and I have been wanting to dig deep into Ableton Live and Max for Live using Christopher Willits’ What YOu Talkin’ Bout Willits? tutorials. The idea of combining clicky, staticy washes of loops with my stories and acousticy-synthy pieces really excites me.

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