Typically, I take a bus out to Tamerline Farm. The Short Line busses are actually pretty nice, and they take me from the Port Authority Bus Terminal in New York City to a usually empty church parking lot in Port Jervis, NY in two hours and one minute. Someone from the farm is usually waiting there to take me the rest of the way to the farm in Montague, NJ. It’s about a 20 minute drive.
There’s a first part of the trip, too. The part where I take the F train from my basement apartment in Brooklyn to 42nd Street/Bryant Park and walk the two avenues West to Port Authority. It’s a pretty easy trip that happens in less than an hour.
This past Saturday, I made the trip as usual but with it being winter, there was an over abundance of animal skin and fur wrapped around my fellow subway passengers. This was getting under my skin more than usual, and it is so hard for me to block the emotional reaction this has in me — especially toward fur. Continue reading →
A few months ago, I was able to join a big group of activists protesting the ritual slaughter of 60,000 chickens here in Brooklyn, NY. Most of the sacrifices occurred in public, so being at the protests meant being in very close proximity to the sounds, smells and sights of tremendous suffering and torture.
I’ve collected my own video and audio from the two nights of protests, and am gathering some more footage from activists who were braver than I – people who got in the faces of the practitioners and one person who went to the site of one of the largest events and took footage of chickens lying half dead in the street and other carnage. I really can’t express here how horrific this was. Literally mass slaughter of animals taking place on public streets in the name of religion. Continue reading →
I’m experimenting with different ways to document my time at Tamerlaine Farm Animal Sanctuary. I’m doing work on the show between visits, but I want to keep the residency active on my site and socials, so…. Here’s a new vlog! This was fun to do, and I’d really like to improve my video/film making skills so I am going to just put these up in a casual and experimental spirit. I’m open to feedback if you’ve got it and, of course, bring on the shares and likes! Continue reading →
Last week I launched a new subscription service on a website called Drip. I’ve been a member of Christopher Willits’ Drip for about a year now, but for most of that time I didn’t see any indication that they were opening up the service to new artists so I assumed it was a closely curated crew of bad-asses (Ghostly International, Michael Cena, and Domino Recording Co. to name a few). A couple of months ago, though, I noticed a little blue “start a drip” button at the bottom of the page. I clicked it, applied, and they said “come on over.” I did. It’s still a pretty small group of artists and record labels who are represented there, so I am especially honored they brought me on board.
So what is it? Continue reading →
A couple of weeks ago, my friend who has been doing my website and album art for more than a decade told me he can’t do the job anymore. Total bummer because he is brilliantly talented, but wonderful because the reasoning is that his more substantial work is taking off and he deserves it.
I have been working hard on all of websites and socials, getting everything uniform and rebranded in preparation for my Tamerlaine Farm Animal Sanctuary residency that starts next month, so it was rather frustrating timing. I moved forward quickly and met up with another graphic designing friend who has come up with an outstanding new logo for me, but she can’t really commit to designing the plethora of cover photos and headers and album art I need at once.
I found myself feeling so angry and frustrated yesterday. I really want to present myself as an artist in a professional way, but there is only so much I can expect from other artists on a budget/barter system. Honestly, that is exactly how it should be. As I work harder to respect my own work, it is imperative that I respect and lift up the work of others. But that left me feeling frustrated and discouraged. That nagging voice came back to me that says “This is why you should just stop this bullshit. You are making plenty of money as a teacher. You can’t be an artist. It’s too hard. It’s too complicated. You’re not good enough. Get a real job!”
I stewed about it most of the day, but at some point a little glimmer came through: “you can do it yourself.” Continue reading →
If you follow me on social media you have probably noticed a recent influx of cuddly animal photos. Specifically, photos of those animals who reside at Tamerlaine Farm Animal Sanctuary. Perhaps you have been asking yourself what I’m up to, or maybe you have been too overwhelmed with the desire to cuddle said cuddly animals to think about anything else. Either way, I have some news: starting September 1st, I will be the first ever Artist-in-Residence at Tamerlaine Farm!
Continue reading →
As you may recall I worked with Tenlegs Arts and Media Network to gather some producers to remix my album. I had a really great response, and added to that group some musicians I deeply respect. here we have it! Tentative Armor Reworks has arrived. I am really so thrilled with how this came out. Christopher Willits at Overlap Studios in San Francisco mastered the tracks. I think he is a genius and felt so honored to have him work on this project as well. Graphical guru John Ong designed the cover art. Always a pleasure to work with that guy! Read on for some information about each of the artists and their process around the work. Oh yeah, you can download the entire album for free right here. Continue reading →
Chris Buck’s “Five Tips For Becoming a Professional Photographer” came across my newsfeed a few days ago, and while I am not striving to become a professional photographer, I’m drawn to posts like this. I am always curious about what working artists have to say about how they got where they are. I found this quote especially compelling:
“It seems that there are two kinds of people in New York, those with a vision, and those without who work for peanuts for those who do.”
Continue reading →